I wrote this, and I don’t know what everything means. Homegirl, a former
Iowa Writers' Workshop attendee, MFA candidate in Creative Writing friend of mine said that sometimes you don’t know why you write what you write or what it all means until years later. And really (disclaimer time), I don’t take my writing that seriously because it seems that I know enough to distinguish between the good and the not-so-good that I read, but I don’t know enough to do what’s good and steer clear of the not-so-good when I write, poetry especially. So, you won’t hurt my feelings if you laugh at my peanut butter hope and jelly dream sandwiches. lol.
If you could see beyond
My molecules of fickle flesh
If you could not be blinded by
The blur of my electrons
As they whiz round
Chunks of insecure nuclei,
Colliding into one another
Like immature marbles set free
In the dust of schoolyard passion,
If you could catch
The good my tears do
When they soften the cracked earth
And are sprinkled into soup
Meant to warm the lonely,
If you could probe
My mind, winding labyrinth,
Strewn with Rubik’s cubes of stalwart logic
3D Viewmasters of memories, and
Cartoon lunchboxes filled with
Peanut butter hope and jelly dream sandwiches,
If you could delve into
The constructed bloody pulp that is my heart
If you wouldn’t mind
Getting a little messy
Shooting through my veins
Mingling with adrenaline
Not knowing whether it’s in response to
Excitement or fear,
If you could tell me
What my eyes are made of
Why my hands get so cold and
How my boisterous laugh is infectious,
I’d scramble all over the world and
Pick the finest
Similes, metaphors,
Hyperbole, synecdoche,
Metonymy and personification
Harvested by language farms of renown,
I’d slice them up delicately
Removing the skins and the rinds and the seeds
Arrange them on a silver charger
Garnished with a verse from Shakespeare
Lay it at your feet and hope,
As surely Ruth hoped as she lay at Boaz’s feet,
That you’d wake up and take me in.